{"id":15,"date":"2021-05-09T18:25:39","date_gmt":"2021-05-09T18:25:39","guid":{"rendered":"https:\/\/de11lijnen.com\/?page_id=15"},"modified":"2023-10-31T17:06:58","modified_gmt":"2023-10-31T16:06:58","slug":"portfolio","status":"publish","type":"page","link":"https:\/\/de11lijnen.com\/","title":{"rendered":"Home"},"content":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1623701573084{padding-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div class=\"vino-heading   \"><div class=\"heading-intro-text swiper-slide show-sep\"  data-aos=\"\" data-aos-delay=\"0\"><\/div><h2 class=\"primary-heading\"  data-aos=\"\" data-aos-delay=\"50\">De 11 Lijnen<\/h2><div class=\"subheading\"  data-aos=\"\" data-aos-delay=\"100\"><\/div><\/div>[vc_column_text css=&#8221;.vc_custom_1698768411564{padding-top: 10px !important;}&#8221;]<a href=\"https:\/\/de11lijnen.com\/project\/nairy-baghramian-seloignant\/\">NAIRY BAGHRAMIAN: S&#8217;\u00c9LOIGNANT\/<span style=\"font-size: 16px;\">October 27, 2023 &#8211; January 27, 2024<\/span><\/a><br \/>\n<a href=\"https:\/\/de11lijnen.com\/project\/homage-to-alvaro-sizaby-sheila-hicks\/\">Homage to \u00c1LVARO SIZA by SHEILA HICKS<\/a><br \/>\n<a href=\"https:\/\/de11lijnen.com\/project\/conny-maierwhere-have-all-the-flowers-gone\/\">CONNY MAIER: Where Have All the Flowers Gone?<\/a><br \/>\n<a href=\"https:\/\/de11lijnen.com\/project\/sturtevant-tina-braegger-curiosity-killed-the-cat\/\">STURTEVANT &amp; TINA BRAEGGER<\/a><br \/>\n<a href=\"https:\/\/de11lijnen.com\/index.php\/project\/andreas-eriksson-rochade\/\">ANDREAS ERIKSSON: ROCHADE<\/a><br \/>\n<a href=\"index.php\/project\/a-window-on-the-macrocosmos\/\">A WINDOW ON THE MACROCOSMOS<\/a><br \/>\n<a href=\"index.php\/project\/portia-zvavahera-gustav-klimt\/\">PORTIA ZVAVAHERA &#8211; GUSTAV KLIMT: A DIALOGUE<\/a><br \/>\n<a href=\"index.php\/project\/friendships-manthia-diawara-presents-the-art-of-david-hammons\/\">FRIENDSHIPS: MANTHIA DIAWARA PRESENTS THE ART OF DAVID HAMMONS<\/a><br \/>\n<a href=\"index.php\/project\/wild-west\/\">WILD WEST<\/a><br \/>\n<a href=\"index.php\/project\/olafur-eliasson-recalibrating-the-senses-in-oudenburg\/\">OLAFUR ELIASSON: RECALIBRATING THE SENSES IN OUDENBURG<\/a><br \/>\n<a href=\"index.php\/project\/poetica-politica\/\">POETICA_POLITICA<\/a><br \/>\n<a href=\"index.php\/project\/bunny-rogers-wrjnger\/\">BUNNY ROGERS &#8216;WRJNGER&#8217;<\/a><br \/>\n<a href=\"index.php\/project\/sheila-hicks-indeed\/\">SHEILA HICKS: INDEED<\/a><br \/>\n<a href=\"index.php\/project\/literated-subjects-present-tense\/\">LIBERATED SUBJECTS: PRESENT TENSE<\/a><br \/>\n<a href=\"index.php\/project\/liberated-subjects-pioneers\/\">LIBERATED SUBJECTS: PIONEERS<\/a><br \/>\n<a href=\"index.php\/project\/sabine-moritz-concrete-and-dust\/\">SABINE MORITZ: CONCRETE AND DUST<\/a><br \/>\n<a href=\"index.php\/project\/adrian-villar-rojas-the-work-of-the-ocean\/\">ADRI\u00c1N VILLAR ROJAS: THE WORK OF THE OCEAN<\/a><br \/>\n<a href=\"index.php\/project\/not-minimal\/\">NOT MINIMAL<\/a><br \/>\n<a href=\"index.php\/project\/hands-in-the-prints-of-jasper-johns\/\">THE HANDPRINTS OF JASPER JOHNS<\/a><br \/>\n<a href=\"index.php\/project\/dan-van-severen\/\">DAN VAN SEVEREN<\/a><br \/>\n<a href=\"index.php\/project\/orientations-tracjectories-in-indian-art\/\">ORIENTATIONS: TRAJECTORIES IN INDIAN ART<\/a><br \/>\n<a href=\"index.php\/project\/niele-toroni\/\">NIELE TORONI<\/a><br \/>\n<a href=\"index.php\/project\/sculpture-in-nature-nature-of-sculpture\/\">SCULPTURE IN NATURE, NATURE OF SCULPTURE<\/a><br \/>\n<a href=\"index.php\/project\/rose-is-a-rose-is-a-rose\/\">ROSE IS A ROSE IS A ROSE<\/a><br \/>\n<a href=\"index.php\/project\/energies-synergy\/\">ENERGIES &#8211; SYNERGY<\/a><br \/>\n<a href=\"index.php\/project\/un-salon-pour-louise-bourgeois\/\">UN SALON POUR LOUISE BOURGEOIS<\/a><br \/>\n<a href=\"index.php\/project\/der-ficker-second-series\/\">DER FICKER. 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